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High ResolutionMuseum Label
Sometimes all you need is the label. All you want. All you can handle.
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High ResolutionOn this date 23 years ago, two individuals entered the Gardner Museum in Boston, Massachusetts disguised as police officers. After tying up the museum’s real security guards, they spent 83 minutes raiding the facility and emerged with 13 pieces of art including original paintings by Rembrandt, Degas, and Vermeer. In all, the stolen goods were valued at $300 million by the FBI, though other experts say that figure should be closer to $500 million. The Gardner heist remains the single largest property crime in US history, and now more than ever the bureau and museum officials are eager for answers. Today the FBI renewed a campaign to find the missing art relics, offering a $5 million reward for information leading to a successful recovery.
The criminals themselves are essentially cleared of wrongdoing at this point; the statute of limitations on the original theft has already lapsed. Rather than criminal prosecution, the goal now is returning the lifted pieces to the halls of Gardner Museum where they belong. To better the odds of that happening, the FBI wants your help. It’s uploaded high-resolution photos of every painting known to be missing in hopes someone on the internet will come to a stunning revelation. “If you didn’t see these paintings, you’d walk right by them and maybe not take note of them,” says agent Geoff Kelley. “But by trying to get the images out there of these paints and these pieces, hopefully this might resonate with someone.” Aside from the website launched today, federal officials will also appeal to the public via billboards in Connecticut and Philadelphia, two states it believes the pieces were trafficked through. (via)
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High Resolution‘Stargazer’
Sam Wolfe Connelly
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High ResolutionGetting Out of Beichuan | Liu Xiaodong | 2010
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High ResolutionLoose Lips Sink Ships | Jeremy Miranda | 2012
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High ResolutionScreen cap from Full Financial Disclosure//Chris Burden//1977
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"If artists were in hell in 1946, now they are in business."
- Allen Kaprow -
A Modest Proposal: Exhibit ‘Bad’ Modern Art
“I have a proposal. Why doesn’t one of the world’s major modern art museums – say MoMA, Tate or the Pompidou – mount an exhibition of bad contemporary art drawn from the institution’s own collection?
I accept the idea has a tainted provenance — the most famous large-scale show of “bad” modern art was the brainchild of the bloodthirsty dictator Adolf Hitler with his Degenerate Art Exhibition of 1937.
But my proposal is different. Its purpose would not be to discredit contemporary art, as was the Nazis’ intention, but to generate some much needed debate around the art that has been produced in our time.”
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"Or when we take someone to a museum that has our favorite artist’s works up in an exhibition. We want them to read the book or watch the movie or look at the artwork and turn to us with something new in their eyes and say yes, I see what you saw… For some reason, though, with art this idea of having a perfectly shared experience seems possible. Art seems fixed enough that it should work, me watching something and you watching the same something and us both having the same images and understandings in our brains at the same moments. It seems like there might be a chance that someone else will momentarily have the same exact experience as you."
- Elizabeth Cantwell in ‘This Essay is Not About Fat City’(Source: brightwalldarkroom.com)





